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The Sissy Duckling
Review and interview by Alan Ilagan for Beautiful Boy
Every
child has a favorite book ~ one that shapes their character
and impresses itself indelibly upon their youth. Fairy tales
and fables have long entertained kids, offering an amusing
moral lesson cloaked in fantastical make-believe or conjuring
a simple world of much-needed escapism. For the ostracized gay
child, such escapism is often a matter of mental survival.
Previously we had to search deeply for any sort of gay subtext
in these tales, and then it was largely a matter of made-up
Freudian psycho-babble. Now we have our very own gay fairy
tale with the hatching of The Sissy Duckling by
Harvey Fierstein.
Who better to put
the fairy back in fairy tale than Mr. Fierstein? Known for his
unmistakable raspy voice and three-dimensional true-to-life
gay character portrayals, Mr. Fierstein is a genuine
Renaissance man. From Tony-winning and critically-acclaimed
turns on Broadway (Torch Song Trilogy, La Cage
aux Folles) to the triumphs of the big screen (Mrs.
Doubtfire, Bullets Over Broadway,
Independence Day), he has never failed to enthrall,
entertain, endear and educate. His latest endeavor is The
Sissy Duckling, a children’s story based on his
screenplay for the HBO animated feature of the same
name.
The Sissy Duckling relates the story of
Elmer, a duckling whose interests include baking, decorating
and painting. It’s clear that Elmer is on the fast-track to
GayLand and is subsequently ridiculed for it. He leaves home
and learns to survive on his own like so many real-life gay
girls and boys. When Elmer’s father is in need of rescuing, it
is Elmer who saves him, and thus the happy ending of
acceptance and redemption. The twist is that the redemption is
not for Elmer, but for those who abused and taunted him.
Accompanied by the whimsical illustrations of
Henry Cole, the book is a pleasure for the
heart and the mind. Mr. Cole has crafted an accessible yet
witty world of family fowl ~ featuring a bathing-beauties-like
swimming turban for Elmer’s beach scene and a poster of
Ethel Merman in Annie Get Your Gun
for Elmer’s room. Gay boys everywhere will relate to the
trials of Elmer, even if being gay isn’t yet a meaningful
aspect of their lives.
For many of us a love for
flowers and plants and decorating bloomed long before a love
for beautiful boys. The best part of The Sissy
Duckling is its blindness to sexuality. True, we all know
what is really happening here, but for kids there is nothing
but the moral lesson of accepting and embracing difference.
Gay adults may display the story as they do their
Tinky Winky dolls, but there is more going on
than simple trendy-totem play. A theme of inner-strength runs
through the story – a powerful message to all children,
regardless of budding persuasions.
In this instance
such strength is attributed to the sissy, turning the
traditional meaning of the word around ~ glorifying and
transforming it into something admirable. As Elmer comes to
realize, it takes more guts to be a sissy than to be a
football follower or one of the masses. “Sissy” was a word of
dread for many of us as kids, and it is exhilarating and
heartbreaking to think what a book like this would have meant
had it been available in our childhoods. It is here now, and
what a great gift Mr. Fierstein has bestowed upon our
children, as well as the forgotten child within each of
us.
Alan Ilagan interviewed Harvey
Fierstein exclusively for BeautifulBoy.com regarding what it’s
like being a proud sissy.
Alan Ilagan:
Your book The Sissy Duckling was originally a feature
for HBO. Why did you decide to put it out as a book, and how
do you think it will fare in its literary
form?
Harvey Fierstein:
Although television allows you to reach millions of people
effortlessly, there are some messages which need to be
received in a more individual manner. I wrote The Sissy
Duckling primarily for little boys who realize at an
early age that they different from most other little boys.
This book gives them permission to be themselves. I want a
little sissy boy to be able to hold the book in his hand, look
at the drawings at his own pace, take in the message in his
own way, and be able to cherish the validation with a great
big hug. You can't hug a TV program. That's why I wrote the
book.
AI: This would be a great
book for those parents who see their kids struggling with
being different ~ those of us who enjoy painting and gardening
rather than sports. It’s a wonderful way for parents to say
“It’s okay” and, perhaps later in life, “I know and I love
you.” What sort of responses have you received so far
regarding the
book?
HF: As I
write this, the book has not yet been released so I don't know
what the response will be from parents. But I'll tell you an
interesting story: The other night, at a Broadway show, a
woman came up to me and quietly told me her story. She has a
son whom she identified as gay when he was only five. She
thanked me for my work, my plays, my public appearances that
helped her to accept and love her gay child. Now, at fourteen,
he has come out. He is a happy, well adjusted young man who is
being raised by a loving and grateful mom. If The Sissy
Duckling can help another parent achieve the same balance then
I'll be the happiest sissy in the
pond!
AI: Do you feel that some
parents might hesitate reading this book to their child,
precisely those who may be calling their son a sissy? And how
do we begin to reach those who need to hear this message the
most?
HF: Homophobia, prejudice
and bigotry are powerfully taught lessons. Can a single book
overcome them? Most likely not. But, the pen is a mighty tool.
And the brain is a worthy prize. And a heart, freed of hatred
and prejudice, is a peaceful
one.
AI: Your work has
consistently been about acceptance and love, and your openness
has always been admired. Stepping into children’s literature
seems an odd choice, but in many ways the next logical step.
Oscar Wilde wrote a few children’s stories,
but his gay themes had to be hidden in ways no longer
necessary. The Sissy Duckling goes so far as to
scream “I am PROUD” in capital letters. It is such a crucial
message for today’s gay youth. And while it may seem easier
because society is more open, sometimes that very openness is
what is most frightening to young people. What advice do you
have for young gay people, particularly those who are just
recognizing the differences they feel may have something to do
with their sexuality?
HF: Most
kids realize that they are gay or lesbian right at the age
when all they want is to fit into the crowd. That's why coming
out can be such a struggle. What makes it easier is to find
others like you. To realize that you are not alone in the
world. I advise all teens to seek out the Diversity club or
group in their school. It's a terrific place, not only for
minority kids, but for ANY kid who wants to feel a part of the
greater society.
AI: What
books did you read as a child, and how did they inspire
you?
HF: I am a dyslexic reader,
so I stuck to picture books for the most part. I loved all of
the Dr Seuss books. I can still remember the
chill of joy I felt when my Mom or Dad would bring a new
volume for me to read at bedtime. (My Mother was a school
librarian so books were always around us.) I believe that
these picture books inspired me to become an artist. I did
indeed study art from an early age right through my BFA in
painting.
AI: How did the
collaboration work with illustrator Henry
Cole? Did the story come first, did the pictures
inspire you, or was it an equal give-and-take along the way?
HF: I love collaborating on
projects. I believe in the maxim, "Two heads are better than
one". And each collaboration has it's own methods and rules.
In this case I wrote the text of the book first. Henry
Cole then created a series of sketches. Ideas were
bounced back and forth between the artist, the editor and a
little bit from me. The text was then adjusted to the
drawings, the drawings again adjusted to the text, and the
final result is a book where the illustrations and text
combine in a wonderful seamless story. Henry
Cole is simply the
best.
AI: Your warmth, compassion
and spirit pervade The Sissy Duckling. After all that
you’ve been through, how did you retain those qualities,
particularly when faced with words like “sissy” and “faggot”
when growing up?
HF: Was I ever
called names? Honey! I'm still called names!!!! And not only
by homophobes. I get called names by gays and lesbians almost
as often as by straights. It's part of the price of refusing
to lie, in any way, about who you are. But the names do not
define or diminish me. They demean and identify the
name-caller. I am whole. It is the name caller who is
wanting.
For more information and resources for LGBTI Youth visit the: Temenos Youth Page
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